Guido Reni (1575–1642) is one of the most prominent Bolognese artists of the 17th century (Eclercy, 2022; García, 2023). He was a disciple of Dionisio Fiamingo Calvaert, a Flemish painter who settled in Italy in the mid-16th century. He later joined the Carracci family's Accademia degli Incamminati , where he immersed himself in Ludovico Carracci's taste for naturalistic elements and austerity, reflecting these characteristics in works such as those on the altar of the Cappella dell'Annunciazione (Guarino, 2015). In 1601, he settled in Rome, where he was able to study classical sculpture and the paintings of Raphael and other artists, such as Michelangelo and Caravaggio. Although he returned to Bologna in 1614, Reni continued to travel to Rome and Naples (Gnudi, 1955; García, 2023).
In his early years as a master, he produced paintings characterized by careful brushwork and classical idealism (Brady, 2020). However, from 1630 onwards, a change can be seen in his work, described as a "critical period" by Spear (1972). There are numerous works by Guido Reni scattered throughout museums and institutions. See, for example: Immaculate Conception (Metropolitan Museum of Art, New York), Saint Peter and Saint Paul (Pinacoteca di Brera, Milan), Penitent Magdalene (Walters Art Museum, Baltimore), Hippomenes and Atalanta (Prado National Museum, Madrid) and The Labors of Hercules (Louvre Museum, Paris).
Bibliography
(1988): Guido Reni, 1575-1642, Los Angeles County Museum of Art, Los Ángeles.