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Title

Portrait of a Sainted Nun

Generic classification
Painting
Date
c. 1550
Century
Mid 16th c.
Cultural context / style
Manierism
Dimensions
20,74 x 16,73 in.
Material
Wood
Technique
Oil Painting
Iconography / Theme
Santa
Provenance
Royal Palace of La Granja de San Ildefonso (Real Sitio de San Ildefonso, Segovia, Spain)
Current location
Apsley House (London, United Kingdom)
Inventory Number in Current Collection
WM 1529-1948
Object history

It is unknown how this painting came to Spain or when it became part of the royal collections. Housed at La Granja de San Ildefonso, on August 15, 1812, the Intendant of Segovia, Ramón Luis de Escobedo, presented it to the 1st Duke of Wellington along with eleven other paintings, of which only two have been located: this one, cataloged as “Head of a Nun,” and a Head of Saint Joseph, which is also housed at the same museum (see entry no. 529). In the documentation preserved in the General Palace Archive (Historical, box 129), it is described as “Head of a Nun: by Andrea del Sarto.” Wellington took the painting along with the other works of art he was given and it has never left his collection at Apsley House.

Description

Apsley House, home to the Wellington Collection, houses a panel painting depicting a nun dressed in her habit. Juan Antonio Gaya Nuño cataloged it as *A Nun*, which was formerly housed at the Royal Palace of La Granja de San Ildefonso (Segovia), and attributed it to the Florentine painter Andrea del Sarto. However, as noted in the Wellington Collection catalog, this attribution is now rejected, the painting’s date of execution is pushed back to the mid-16th century (Andrea del Sarto died in 1531), and Bronzino’s circle is cited as the likely source.

The female figure, originally with a halo that is now largely lost, holds in her right hand a Maltese cross with a medallion at the intersection, depicting a Crucifix. This cross, which may have been painted at a later date, as it displays a different technique from the figure, does not indicate that the woman depicted was necessarily a member of the Commanderesses of the Order of St. John of Jerusalem—which would suggest one of the Order’s saints—since the cross was also used by other religious orders.

There is significant paint loss, particularly on the right side, and the halo is practically gone.

Bibliography
  • ATERIDO, Ángel; MARTÍNEZ, Juan y PÉREZ, José Juan (2004): Colecciones de pinturas de Felipe V e Isabel Farnesio: inventarios reales, Fundación de Apoyo a la Historia del Arte Hispánico, Madrid, pp. 290-291.
  • GAYA NUÑO, Juan Antonio (1964): Pintura europea perdida por España: de Van Eyck a Tiépolo, Espasa-Calpe, Madrid.
  • KAUFFMANN, Claus Michael (2009): Catalogue of paintings in the Wellington Museum, English Heritage, Londres.
Record manager
Miguel Ángel Zalama
Citation:

Miguel Ángel Zalama, "Portrait of a Sainted Nun" in Nostra et Mundi. Cultural Heritage from Castile and Leon around the world, Fundación Castilla y León, 2025. https://inventario.nostraetmundi.com/en/work/554

DOI