Search results for
X
No results :(

Hints for your search:

Title

St Peter

Generic classification
Painting
Object
Painting
Century
Late 15th c.
Cultural context / style
Hispano-Flemish Gothic
Dimensions
12.99 x 13.78 in.
Material
Panel
Technique
Tempera
Iconography / Theme
San Pedro
Provenance
Possible origin from Castile and Leon (Castilla y León, Possible origin from Castile and Leon, Spain)
Inventory Number in Current Collection
CM 516
Inscriptions / Marks

"sant pedro" (scroll around the saint's figure): "St Peter".

Object history

No information is known about the provenance of this panel prior to its inclusion in the collection of Antonin Personnaz. Nor is there any information on the other two panels from the same series also in the musée Bonnat-Helleu, musée des beaux-arts in Bayonne (The Saviour and St John the Evangelist). Nor on the other two panels from the same series in the Museo Cerralbo (St Paul, inv. no 00801, and St James the Greater, inv. no 00819). From their size and iconography, they all undoubtedly belonged to the predella of a small altarpiece in which the Saviour would have been flanked by the apostles.

According to the English version of Wikipedia, Personnaz acquired these panels when he was still very young, in 1875 (we have not been able to verify this information). At that time, he was still living in his native city of Bayonne, to which he was to return in the last years of his life, but in between he settled in Paris, where he developed his professional, artistic and collecting career.

The set of three panels belonging to Antonin Personnaz were bequeathed to the French state in 1937 on the condition that they should be deposited in the then called musée Bonnat of Bayonne, which was done in 1947.

Despite the lack of information on the provenance of this ensemble, the two proposals for cataloguing them point to Castile and León. The first, by Post in 1950, attributed it to the Master of Palanquinos, an anonymous painter active in the province of León. The second, by Ballesté in 2019, relates it to the circle of Diego de la Cruz, a painter active in the province of Burgos. It is for this reason that they may have come from Castile and León.

Description

Saint Peter is depicted with his characteristic physiognomy, holding a large key in his left hand and a book in his right.

* The relative location of dealers, antique shops, art galleries, and collectors leads us to the places where they were based or had one of their main headquarters. However, this does not always indicate that every artwork that passed through their hands was physically located there. In the case of antique dealers and art merchants, their business often extended across multiple territories; sometimes they would purchase items at their origin and send them directly to clients. Similarly, some collectors owned multiple residences, sometimes in different countries, where they housed their collections. It is often difficult to determine exactly where a specific piece was kept during its time in their possession. Consequently, the main location of the dealer or collector is indicated. These factors should be considered when interpreting the map. Refer to the object's history in each case.
Bibliography
Citation:

Fernando Gutiérrez Baños, "St Peter" in Nostra et Mundi. Cultural Heritage from Castile and Leon around the world, Fundación Castilla y León, 2025. https://inventario.nostraetmundi.com/en/work/240