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Title

Crucifixion. Folio from a breviary or missal

Juan de Carrión [attributed to] [workshop of] (Documented in the last third of the 15th century)

Generic classification
Manuscripts and illuminations
Date
ca. 1454-1472
Century
Third quarter of the 15th c.
Cultural context / style
Late Gothic
Dimensions
12,95 x 8,58 in
Material
Parchment, Ink
Technique
Illumination
Iconography / Theme
Crucifixión
Provenance
Possible origin from Castile and Leon (Castilla y León, Possible origin from Castile and Leon, Spain)
Current location
École Nationale Supérieure des Beaux-Arts (Paris, France)
Inventory Number in Current Collection
Mn. Mas 151
Object history

This folio probably belonged to a breviary or a missal. Saulnier (1982) ascribed this piece to the corpus of Juan de Carrión, since it has many similarities with the Cantorales of the cathedral of Avila. Likewise, in a private collection in Trieste and in the École Nationale Supérieure des Beaux-Arts in Paris, two other folios are preserved that also belonged to the same volume. In fact, the one in Paris is signed "Johan de Carrió" (Saulnier, 1982).

The workshop of Juan de Carrión was located in Segovia (Villaseñor, 2009), so the folio was made in that locality. However, it is not known where it was, although if we take into account the locations of the rest of the manuscripts made by the workshop, it is plausible to think that it was somewhere in the provinces of Avila and Segovia.

It is not known when the piece left Castilla y León, it is possible that, as happened with other codices from Juan de Carrión's workshop, it was taken after the disentailment. In any case, at the beginning of the 20th century it was purchased by Jean Masson, an avid collector of rare books and incunabula. Masson decided to donate part of his collection to the École Nationale Supérieure des Beaux-Arts on February 21, 1925, where the piece still remains.

Description

The folio depicts the Crucifixion of Christ, who is flanked by two angels who collect his blood in two chalices. The scene is completed by the Virgin, Mary Magdalene, St. John the Evangelist, Joseph of Arimathea and a servant (Villaseñor, 2009). The vegetal decoration of the margins is reminiscent of other works from Juan de Carrión's workshop, such as the Cantorales of the cathedral of Ávila or the Book of the Knight Zifar.

Locations
* The relative location of dealers, antique shops, art galleries, and collectors leads us to the places where they were based or had one of their main headquarters. However, this does not always indicate that every artwork that passed through their hands was physically located there. In the case of antique dealers and art merchants, their business often extended across multiple territories; sometimes they would purchase items at their origin and send them directly to clients. Similarly, some collectors owned multiple residences, sometimes in different countries, where they housed their collections. It is often difficult to determine exactly where a specific piece was kept during its time in their possession. Consequently, the main location of the dealer or collector is indicated. These factors should be considered when interpreting the map. Refer to the object's history in each case.
Bibliography
Citation:

Isabel Escalera Fernández, "Crucifixion. Folio from a breviary or missal" in Nostra et Mundi. Cultural Heritage from Castile and Leon around the world, Fundación Castilla y León, 2025. https://inventario.nostraetmundi.com/en/work/328