Title
Crucifixion. Folio from a breviary or missal
Juan de Carrión [attributed to] [workshop of] (Documented in the last third of the 15th century)
Generic classification
Manuscripts and illuminationsObject
ManuscriptDate
ca. 1454-1472Century
Third quarter of the 15th c.Cultural context / style
Late GothicDimensions
12,95 x 8,58 inTechnique
IlluminationIconography / Theme
CrucifixiónProvenance
Possible origin from Castile and Leon (Castilla y León, Possible origin from Castile and Leon, Spain)Current location
École Nationale Supérieure des Beaux-Arts (Paris, France)Inventory Number in Current Collection
Mn. Mas 151Object history
This folio probably belonged to a breviary or a missal. Saulnier (1982) ascribed this piece to the corpus of Juan de Carrión, since it has many similarities with the Cantorales of the cathedral of Avila. Likewise, in a private collection in Trieste and in the École Nationale Supérieure des Beaux-Arts in Paris, two other folios are preserved that also belonged to the same volume. In fact, the one in Paris is signed "Johan de Carrió" (Saulnier, 1982).
The workshop of Juan de Carrión was located in Segovia (Villaseñor, 2009), so the folio was made in that locality. However, it is not known where it was, although if we take into account the locations of the rest of the manuscripts made by the workshop, it is plausible to think that it was somewhere in the provinces of Avila and Segovia.
It is not known when the piece left Castilla y León, it is possible that, as happened with other codices from Juan de Carrión's workshop, it was taken after the disentailment. In any case, at the beginning of the 20th century it was purchased by Jean Masson, an avid collector of rare books and incunabula. Masson decided to donate part of his collection to the École Nationale Supérieure des Beaux-Arts on February 21, 1925, where the piece still remains.
Description
The folio depicts the Crucifixion of Christ, who is flanked by two angels who collect his blood in two chalices. The scene is completed by the Virgin, Mary Magdalene, St. John the Evangelist, Joseph of Arimathea and a servant (Villaseñor, 2009). The vegetal decoration of the margins is reminiscent of other works from Juan de Carrión's workshop, such as the Cantorales of the cathedral of Ávila or the Book of the Knight Zifar.
Locations
Mid XVth c. - Early XXth c.
Early XXth c. - ca. 1925
private collection
Jean Masson, Amiens (France) *
ca. 1925 - present
Bibliography
- BOSCH, Lynette M. (1991): "Los manuscritos abulenses de Juan de Carrión", vol. 64, nº 253, en Archivo Español de Arte.
- DOMÍNGUEZ BORDONA, Jesús (1930): "Las miniaturas de Juan de Carrión", vol. VI, nº 16, en Archivo Español de Arte y Arqueología.
- DOMÍNGUEZ RODRÍGUEZ, Ana (2000): "Sobre Juan de Carrión y su círculo: un documento de pago en la Catedral de Segovia y nuevas atribuciones", nº 274, Goya: Revista de arte.
- RODRÍGUEZ SUÁREZ, Natalia (2024): "La escritura del taller de Juan de Carrión en el Libro de Horas del infante don Alonso, MS 854 Morgan Library", nº 37, Espacio, Tiempo y Forma. Historia Medieval.
- SAULNIER, Alix (1982): "Oeuvres inedites d l´enluminer Juan de Carrión", nº 57, Revue d l'Art, pp. 56-60.
- VILLASEÑOR SEBASTIÁN, Fernando (2009): El libro iluminado en Castilla durante la segunda mitad del siglo XV, Fundación Instituto Castellano y Leonés de la Lengua Caja Segovia, Segovia, pp. 137-138.
Record manager
Isabel Escalera FernándezCitation:
Isabel Escalera Fernández, "Crucifixion. Folio from a breviary or missal" in Nostra et Mundi. Cultural Heritage from Castile and Leon around the world, Fundación Castilla y León, 2025. https://inventario.nostraetmundi.com/en/work/328
Crucifixion. Folio from a breviary or missal
École nationale supérieure des beaux-arts. Portal de Biblissima, Mn.Mas 151.