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Title

Franciscan Breviary

miniaturist

Juan de Carrión [attributed to] [workshop of] (Documented in the last third of the 15th century)

Generic classification
Manuscripts and illuminations
Date
ca. 1458-1465
Century
Mid 16th c.
Cultural context / style
Late Gothic
Dimensions
9,05 x 6,49 in
Material
Parchment, Ink
Technique
Illumination
Iconography / Theme
Calendario
Provenance
Segovia Cathedral (Segovia, Spain)
Current location
National Library of France (Paris, France)
Inventory Number in Current Collection
Latin 1064
Object history

Thanks to the coats of arms on folios 8 and 200, it is known that this manuscript was made for the prelate Alfonso Carrillo de Acuña (Bosch, 1989). Before being named bishop of Toledo, Alfonso Carrillo was chaplain to Enrique IV in Segovia between 1458-1465 (Villaseñor, 2009), the dates when this breviary was made. Leroquais (1934) and Saulnier (1982) thought that it was a manuscript made to be used in Segovia, specifically in the cathedral, as it appears in the Dedicatio Ecclesie on folio 4 (Domínguez Rodríguez, 2000).

Regarding the miniatures, Saulnier (1982) considered that two artists had been involved, one of them being Juan de Carrión. For his part, Bosch believed that there were three illuminators who had made the breviary: the Master of the Passion, the Master Alfonso and the Master of the grisaille. Despite the disparity of opinions, Villaseñor (2009) and Domínguez (2000) have joined the hypothesis that the Franciscan breviary was made by Juan de Carrión and his workshop, which was located in Segovia.

Although initially the breviary was in the cathedral of Segovia, at the beginning of the 18th century it was in the hands of Abbot César d'Estrées. He had been sent by Louis XIV to the court of Philip V in Spain as French ambassador and it is possible that he got hold of the manuscript at this time. In 1705 d'Estrées gave the breviary to Roger de Gaigniéres: "Ce bréviaire m'a esté donné le Xº mars 1705 par Monseieur l'abbé d'Estrées, commandeur de lórdre du St Esprit, fils et Frère de MM. les maréschaux d'Estrées et de Coeuvres, qui m'a fait la grâce de me l'apporter deÉspagne où il estoit ambassadeur en 1704, R. de Gaignières" (Avril, 1982). In 1892 Morel-Fatio undertook the task of drawing up a catalog of the Spanish manuscripts kept in the Bibliothèque Nationale de France (Paris) and at that time the Franciscan Breviary was already there.

Description

The Franciscan Breviary consists of 483 folios. It has 12 miniatures representing the agricultural calendar and 18 more with religious scenes and coats of arms. The decorative plant and animal motifs are reminiscent of those found in the Book of the Knight Zifar, a work of the workshop of Juan de Carrión.

Locations
* The relative location of dealers, antique shops, art galleries, and collectors leads us to the places where they were based or had one of their main headquarters. However, this does not always indicate that every artwork that passed through their hands was physically located there. In the case of antique dealers and art merchants, their business often extended across multiple territories; sometimes they would purchase items at their origin and send them directly to clients. Similarly, some collectors owned multiple residences, sometimes in different countries, where they housed their collections. It is often difficult to determine exactly where a specific piece was kept during its time in their possession. Consequently, the main location of the dealer or collector is indicated. These factors should be considered when interpreting the map. Refer to the object's history in each case.
Bibliography
Citation:

Isabel Escalera Fernández, "Franciscan Breviary" in Nostra et Mundi. Cultural Heritage from Castile and Leon around the world, Fundación Castilla y León, 2025. https://inventario.nostraetmundi.com/en/work/320