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Title

St. Bartholomew

Francés, Nicolás [attributed to] [school of] (León. Active 1434-1468)

Generic classification
Painting
Object
Painting
Date
ca. 1460
Century
Third quarter of the 15th c.
Cultural context / style
End of International Gothic
Dimensions
26 3/8 x 15 9/16 in
Material
Panel
Technique
Tempera
Iconography / Theme
San Bartolomé
Provenance
San Félix Church (Villalobos, Zamora, Spain)
Current location
Williams College Museum of Art (Williamstown, United States)
Inventory Number in Current Collection
58.5
Object history

This panel comes from the church of San Félix, Villalobos (Zamora). According to Gómez-Moreno (1927), in this church there was a main altarpiece that was dismantled. Although the structure of the altarpiece was Baroque, it had preserved some panels dated to the 15th century, which he described as follows: "ten busts of apostles on engraved gold backgrounds, measuring 52 by 33 centimeters; four boards, 96 by 34 centimeters, with Saints Anton, Sebastian and two bishops, on damasked backgrounds [...]" (Gómez-Moreno, 1927). In the first quarter of the 20th century the piece left the country, since Post in 1938 mentions that it is in the Borchard collection in New York. Although Post does not specify to which member of the Borchard family the work belonged, it is most likely that it was acquired by Samuel Borchard. Subsequently, Evelyn Borchard Metzger, his daughter, donated the painting in 1958 to the Williams College Museum of Art (Massachusetts), where it is kept today.

Description

According to Christian tradition, after the resurrection of Christ, St. Bartholomew traveled to different regions to preach the Gospel. In Armenia, after converting King Polymius to Christianity, he was captured by order of the king's brother, who opposed the new faith. As punishment, they tore off his skin and beheaded him. Thus, St. Bartholomew is depicted on the canvas with his attributes: the cutlass with which he was flayed and a book with which he would preach the Gospel.

Locations
* The relative location of dealers, antique shops, art galleries, and collectors leads us to the places where they were based or had one of their main headquarters. However, this does not always indicate that every artwork that passed through their hands was physically located there. In the case of antique dealers and art merchants, their business often extended across multiple territories; sometimes they would purchase items at their origin and send them directly to clients. Similarly, some collectors owned multiple residences, sometimes in different countries, where they housed their collections. It is often difficult to determine exactly where a specific piece was kept during its time in their possession. Consequently, the main location of the dealer or collector is indicated. These factors should be considered when interpreting the map. Refer to the object's history in each case.
Bibliography
Citation:

Isabel Escalera Fernández, "St. Bartholomew" in Nostra et Mundi. Cultural Heritage from Castile and Leon around the world, Fundación Castilla y León, 2025. https://inventario.nostraetmundi.com/en/work/331