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Title

The Agony in the Garden

Maestro de Paredes [attributed to] (Active in Palencia in the early 16th century)

Generic classification
Painting
Object
Painting
Date
ca. 1515-1525
Century
First quarter of the 16th c.
Cultural context / style
Late Gothic and early Renaissance
Dimensions
45,2 x 29,1 in
Material
Canvas
Technique
Oil Painting
Provenance
Possibly from the province of Palencia (Palencia, Spain)
Current location
Private Collection France (France, France)
Object history

This panel has been attributed to the Maestro de Paredes due to its formal characteristics, as it is reminiscent of the works of Pedro Berruguete, Maestro Alejo and Fernando Gallego (Post, 1947). The Maestro de Paredes was active in Palencia in the first third of the 16th century, so it is believed that the panel comes from the current province of Palencia (Velasco Gonzàlez, 2019). However, it is unknown in the altarpiece of which church or monastery it may have been. Nor is it known at what time it left the country. Be that as it may, in 2019 it was exhibited at the art gallery that Sam Fogg owns in Clifford Street (London). The exhibition catalog indicated its current location: a private collection in France.

Description

Christ is in the center of the composition kneeling and looking up to the top of the rock, where an angel appears carrying a chalice and a cross. Around him are the apostles: Peter, John and James the Greater. On the right side of the panel, Judas can be seen bursting into the scene together with the Roman centurions who soon after proceed to arrest Jesus. The painting refers to other artists such as Pedro Berruguete, Fernando Gallego or Maestro Alejo, among others.

* The relative location of dealers, antique shops, art galleries, and collectors leads us to the places where they were based or had one of their main headquarters. However, this does not always indicate that every artwork that passed through their hands was physically located there. In the case of antique dealers and art merchants, their business often extended across multiple territories; sometimes they would purchase items at their origin and send them directly to clients. Similarly, some collectors owned multiple residences, sometimes in different countries, where they housed their collections. It is often difficult to determine exactly where a specific piece was kept during its time in their possession. Consequently, the main location of the dealer or collector is indicated. These factors should be considered when interpreting the map. Refer to the object's history in each case.
Bibliography
Citation:

Isabel Escalera Fernández, "The Agony in the Garden" in Nostra et Mundi. Cultural Heritage from Castile and Leon around the world, Fundación Castilla y León, 2025. https://inventario.nostraetmundi.com/en/work/449