Title
The Presentation of the Virgin in the Temple
Maestro de Burgos (?, ca. 1425 - ?, ?)
Generic classification
PaintingObject
PaintingDate
ca. 1465–1470Century
Third quarter of the 15th c.Cultural context / style
International GothicMaterial
WoodIconography / Theme
Presentación de la Virgen en el TemploProvenance
Possible origin from Castile and Leon (Castilla y León, Possible origin from Castile and Leon, Spain)Current location
Museum of Fine Arts, Budapest (Hungary)Inventory Number in Current Collection
3962Object history
This painting has been attributed to various artists: Post (1933) believed it to be a work by the Master of Budapest; however, the museum attributed it to the Master of Burgos. The latter hypothesis is based on a stylistic comparison of the paintings by the Master of Burgos and the one in the Museum of Fine Arts in Budapest. Post (1933) mentions that the Master of Burgos painted several panels on the life of the Virgin, although he does not specify their intended location, nor does he reference the scene housed in the Museum of Fine Arts in Budapest. However, the human figures present in the Nativity of the Virgin and the Annunciation align with those in the Presentation of the Virgin in the Temple, as do the dimensions of the panels. Therefore, it is plausible to consider that they belonged to the same set. According to Post (1933), these paintings ended up in the hands of Raimundo Ruiz, an art dealer who specialised in selling artworks abroad, in 1925 (Martínez Ruiz, 2020). It is likely that this piece was put up for sale at that time along with the others and left Spain in the 1920s, as we know it was purchased by the Hungarian painter József Ede Balló, who spent some time living in Madrid (Garas, Genthon y Takács, 1966). However, it remains unclear whether the piece was acquired by the Hungarian state after Balló's death or if it passed through other hands before ending up first in the Hungarian National Gallery and later in the Museum of Fine Arts in Budapest.
Description
In the foreground, Saint Joachim and Saint Anne, the parents of the Virgin, are depicted accompanying their daughter, who is positioned at the center of the composition beneath architecture with classical elements that resemble the Renaissance. The staircase leading to the temple suggests a treatment of perspective that lies halfway between the medieval period and the early modern era.
Locations
ca. 1465 - ca. 1925
ca. 1925
dealer/antiquarian
Raimundo Ruiz, Madrid (Spain) *
ca. 1925 - ca. 1936
private collection
József Ede Balló, Budapest (Hungary) *
Second quarter of the XXth c. - Second half of the XXth c.
Second half of the XXth c. - present
Bibliography
- GARAS, Klára, GENTHON, István y TAKÁCS, Marianna Haraszti (1966): Museo de Bellas Artes de Budapest, Aguilar, Madrid, pp. 181-182.
- MARTÍNEZ RUIZ, María José (2011): "Raimundo Ruiz y Luis Ruiz: pioneros del mercado de antigüedades españolas en EE. UU.", nº 161, Berceo.
- MIGUEL OJEDA, Gonzalo (1951): "Un pintor burgalés desconocido del reinado de los Reyes Católicos", nº 116, Boletín de la Institución Fernán González.
- POST, Chandler Rathfon (1933): A History of Spanish Painting, vol. 4 (The Hispano-Flemish Style in North-Western Spain), nº 1, Harvard University Press, Cambridge (Massachusetts), pp. 318-323.
Record manager
Isabel Escalera FernándezCitation:
Isabel Escalera Fernández, "The Presentation of the Virgin in the Temple" in Nostra et Mundi. Cultural Heritage from Castile and Leon around the world, Fundación Castilla y León, 2025. https://inventario.nostraetmundi.com/en/work/53