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Title

The Presentation of the Virgin in the Temple

Maestro de Burgos (?, ca. 1425 - ?, ?)

Generic classification
Painting
Object
Painting
Date
ca. 1465–1470
Century
Third quarter of the 15th c.
Cultural context / style
International Gothic
Material
Wood
Technique
Gilded, Tempera
Provenance
Possible origin from Castile and Leon (Castilla y León, Possible origin from Castile and Leon, Spain)
Current location
Museum of Fine Arts, Budapest (Hungary)
Inventory Number in Current Collection
3962
Object history

This painting has been attributed to various artists: Post (1933) believed it to be a work by the Master of Budapest; however, the museum attributed it to the Master of Burgos. The latter hypothesis is based on a stylistic comparison of the paintings by the Master of Burgos and the one in the Museum of Fine Arts in Budapest. Post (1933) mentions that the Master of Burgos painted several panels on the life of the Virgin, although he does not specify their intended location, nor does he reference the scene housed in the Museum of Fine Arts in Budapest. However, the human figures present in the Nativity of the Virgin and the Annunciation align with those in the Presentation of the Virgin in the Temple, as do the dimensions of the panels. Therefore, it is plausible to consider that they belonged to the same set. According to Post (1933), these paintings ended up in the hands of Raimundo Ruiz, an art dealer who specialised in selling artworks abroad, in 1925 (Martínez Ruiz, 2020). It is likely that this piece was put up for sale at that time along with the others and left Spain in the 1920s, as we know it was purchased by the Hungarian painter József Ede Balló, who spent some time living in Madrid (Garas, Genthon y Takács, 1966). However, it remains unclear whether the piece was acquired by the Hungarian state after Balló's death or if it passed through other hands before ending up first in the Hungarian National Gallery and later in the Museum of Fine Arts in Budapest. 

Description

In the foreground, Saint Joachim and Saint Anne, the parents of the Virgin, are depicted accompanying their daughter, who is positioned at the center of the composition beneath architecture with classical elements that resemble the Renaissance. The staircase leading to the temple suggests a treatment of perspective that lies halfway between the medieval period and the early modern era.

Locations
* The relative location of dealers, antique shops, art galleries, and collectors leads us to the places where they were based or had one of their main headquarters. However, this does not always indicate that every artwork that passed through their hands was physically located there. In the case of antique dealers and art merchants, their business often extended across multiple territories; sometimes they would purchase items at their origin and send them directly to clients. Similarly, some collectors owned multiple residences, sometimes in different countries, where they housed their collections. It is often difficult to determine exactly where a specific piece was kept during its time in their possession. Consequently, the main location of the dealer or collector is indicated. These factors should be considered when interpreting the map. Refer to the object's history in each case.
Bibliography
Citation:

Isabel Escalera Fernández, "The Presentation of the Virgin in the Temple" in Nostra et Mundi. Cultural Heritage from Castile and Leon around the world, Fundación Castilla y León, 2025. https://inventario.nostraetmundi.com/en/work/53