Title
Monastery of Santa María, provenance: Sacramenia, (Segovia)
Generic classification
Architecture and architectural elementsObject
MonasteryCultural context / style
Medieval. CistercianMaterial
StoneProvenance
Monastery of Santa María de Sacramenia (Sacramenia, Segovia, Spain)Current location
The Spanish Ancient Monastery (Florida, United States)Object history
The wanderings followed by an important part of the dependencies of the Bernardine monastery of Santa María de Sacramenia (Segovia) constitute one of the most surprising cases of the dispersion of the patrimony in Spain. Founded in 1141 by Alfonso VII, the Cistercian monastery of Sacramenia was erected between the end of the 12th and the beginning of the 13th centuries, with several later reforms, for example, the church had to be completed in the last years of the 14th century and the beginning of the 15th century. It was during the 19th century when the deterioration of the monastic complex began, as a result of the successive disentailment measures. In 1820 an inventory was made of all the monastery's assets and the following year it was acquired by Ramón Cano, a lawyer from Castrillo de Duero, who in a short period of time began to dismantle the building: he tore off doors, grilles, floors, etc. A terrible robbery that left the entire monastic complex, with the exception of the church, in a deplorable state. In 1823, although the monastery was returned to the monks, the situation in which it found itself led them to undertake the essential restoration work. Their stay in the center was short-lived, as the disentailment of Mendizábal in 1835 led to the sale of the monastery.
A year later, the monastic buildings and the Sacramenia preserve were already the property of José Bustamante, artillery brigadier, who kept the complex until it passed into the hands of the Guitián family, through the marriage of his daughter, Dolores Bustamante, to the artilleryman Carlos Guitián. Since then, the successive works of adaptation plunged the monastery into a progressive deterioration: noble rooms were partitioned to be transformed into barns, stables, warehouses, in addition to serving as a cheap quarry of materials.
In such a situation came the offer of purchase of the monastic complex made by Arthur Byne, the purchasing agent in Spain of the collector W. R . Hearst. R. Hearst. The sale took place in 1925 and the work to dismantle and move all the buildings, with the exception of the church, began quickly. In October 1926 the Provincial Commission of Monuments of Segovia reported: "only the remains of the buttresses and part of the doorway that gave access to the monastery are left, and at present the falsework is being prepared to dismantle the vault of the refectory. To our questions, the workers answered that the capitals and artistically carved stones had already been transported to Madrid, through the Peñafiel station" (Martínez Ruiz, 2008, pp. 196-216).
35,784 stones, packed in 10.751 wooden boxes, which Arthur Byne managed to export from the province of Segovia to New York, silencing with money all the agents that could hinder the operation: "The problems have been endless; several times during the summer the project was denounced to the Ministry of Fine Arts, but with my influence I managed to silence the press and the work could go ahead [...] Then I exercised all my personal influence directly with the Minister of Fine Arts and obtained permission to move all the stones already packed..." (translated. Merino de Cáceres, 1985, pp. 145-210). (The Minister of Public Instruction and Fine Arts was Eduardo Callejo de la Cuesta).
The truth is that once packed, the stones of the Sacramenia monastery were first transported by truck to Peñafiel (Valladolid) and from there by train to Madrid, then from Madrid to New York. They arrived at the New York port at the beginning of 1927; however, the abuse of the now dismantled complex of the old monastery did not cease at that time. The sanitary authorities immobilized the merchandise in the port of New York, due to the risk of foot-and-mouth disease; they opened the boxes and replaced the straw used for packaging with wood shavings. After the sanitary problems, and the time and money invested in solving this problem, the economic crisis of 1929 came, with serious effects for the accounts of the magnate Hearst, who never saw this Cistercian monastery -presumably he acquired it to use it for the museum he planned to create at the University of Berkeley, California, in memory of his mother Phoebe A. Hearst-. Hearst-.
The merchandise remained in a port warehouse for nearly twenty-five years. Upon Hearst's death in 1951, his heirs sought to dispose of the cargo at auction. The starting price at Gimbel's department store in New York was $50,000, but was later reduced to $19,000, but without success. The Hammer Galleries of New York finally managed to sell the monastery to the real estate developers E. Raymond Moss and William S. Edgemon, whose objective was to use the dismantled monastery as a tourist attraction in a planned leisure complex in Miami. The Sacramenia stones then made a new journey: from New York to the port of Everglades (Florida) and from there to North Miami Beach. The turbulent history did not end there, as the reassembly of the monastic quarters was really difficult (the marking of the eastern and western sides of the monastery had been marked on the stone blocks in both cases with an O, which led to many problems in the new construction). The rearrangement of such a complex architectural puzzle was carried out under the direction of A. Carswell, who had worked on the erection of The Cloisters in New York. The work was completed on August 20, 1954, although the medieval tourism project was not successful and had to be closed. At that point, lacking function and in a location so foreign to its place of origin, finally in 1962 the Episcopal Diocese of South Florida took over the property and transformed the premises to be adapted to the new Church of Saint Bernard of Clairvaux, where the temple was located in the space that once constituted the refectory. (Merino de Cáceres and Martínez Ruiz, 2012, pp. 421-449; Merino de Cáceres, 2021).
Today it is known as the Spanish Ancient Monastery. It is undoubtedly extraordinary, and a priori disconcerting, to have a medieval European Cistercian monastery in North Miami Beach (Florida), but also in Sacramenia (Segovia) where the church is preserved. Therefore, it is a monastery on two continents. The church is part of a privately owned property, the restoration of the temple in the aforementioned town of Segovia was undertaken by José Miguel Merino de Cáceres, who not only devoted considerable efforts to the recovery of what was still preserved in Sacramenia, but also to disseminate, through various publications, such an eventful and peculiar history.
Locations
XIIth c. - 1926
1926
dealer/antiquarian
Arthur Byne and Mildred Stapley Byne, Madrid (Spain) *
1926 - 1953
private collection
Collection of William R. Hearst, New York (United States) *
1954 - present
Bibliography
- MARTÍNEZ RUIZ, María José (2008): La enajenación del patrimonio en Castilla y León (1900-1936), tomo I, Junta de Castilla y León, Salamanca.
- MERINO DE CÁCERES, José Miguel (2003): El monasterio de Santa María de Sacramenia, Real Academia de Historia y Arte de San Quirce, Segovia.
- MERINO DE CÁCERES, José Miguel (2010): "Arthur Byne, un expoliador de guante blanco", nº 3, e-artDocuments: revista sobre col·leccions i col·leccionistes.
- MERINO DE CÁCERES, José Miguel (1991): "El traslado del claustro de Sacramenia. Arthur Byne y su planimetría sobre el monasterio", Segovia cisterciense. Estudios de historia y arte sobre los monasterios segovianos de la orden del Císter, Monasterio de Santa María y San Vicente el Real, Segovia.
- MERINO DE CÁCERES, José Miguel (1985): "En el cincuentenario de la muerte de Arthur Byne", nº 61, en Academia, pp. 145-210.
- MERINO DE CÁCERES, José Miguel (1978): "El exilio del monasterio de Santa María de Sacramenia", vol. 29, nº 85, Boletin de la Real Academia de Historia y Arte de San Quirce de Segovia.
- MERINO DE CÁCERES, José Miguel (2021): Santa María de Sacramenia. Un monasterio en dos continentes, Diputación de Segovia, Segovia.
- MERINO DE CÁCERES, José Miguel y MARTÍNEZ RUIZ, María José (2012): La destrucción del patrimonio artístico español. W. R. Hearst “el gran acaparador", Cátedra, Madrid.
- SANTONJA, Gonzalo (1994): "Lo que se llevaron de esta tierra", El Norte de Castilla.
- SANTONJA, Gonzalo (2004): Museo de niebla: el patrimonio perdido de Castilla y León, Ámbito, Valladolid.
- TORRES BALBÁS, Leopoldo (1944): "El monasterio bernardo de Santa María de Sacramenia", vol. 17, nº 64, en Archivo Español de Arte, pp. 197-225.
Record manager
María José Martínez RuizCitation:
María José Martínez Ruiz, "Monastery of Santa María, provenance: Sacramenia, (Segovia)" in Nostra et Mundi. Cultural Heritage from Castile and Leon around the world, Fundación Castilla y León, 2025. https://inventario.nostraetmundi.com/en/work/4
Ancient Spanish Monastery, Miami, Florida (EE. UU)
Creative Commons Attribution-Share Alike 4.0 International license
Creative Commons Attribution-Share Alike 4.0 International license
Ancient Spanish Monastery of St Bernard de Clairvaux, Miami, Florida (EE. UU.). Provenance: Sacramenia, Segovia, (Spain).
Photography: (WT-de) Mistoffeles
Ancient Spanish Monastery. Cloister. Miami, Florida (USA). Provenance: Sacramenia, Segovia (Spain).
Photography: Rolf Müller
Church of the Sacramenia monastery before 1925
Catálogo Monumental de España. Segovia (1908-1923). Tomo 4 Fotografías. CSIC.
Monasterio de Sacramenia antes de 1925
Catálogo Monumental de España. Segovia (1908-1923). Tomo 4 Fotografías. CSIC.