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Title

Virgin and Child

Maestro de las Once Mil Vírgenes [attributed to] (Active in Segovia between 1475 and 1500)

Generic classification
Painting
Object
Painting
Date
ca. 1480-1499
Century
Second half of the 15th c.
Cultural context / style
Hispano-Flemish
Dimensions
14,8 x 10,8 in
Material
Panel
Technique
Tempera
Iconography / Theme
Virgen con el Niño
Current location
Museum Fritz Mayer van den Bergh (Antwerp, Belgium)
Inventory Number in Current Collection
MMB.0181
Object history

Very little information is available about this panel, except that it was acquired by Fritz Mayer van den Bergh in the late 19th century. According to the Mayer van den Bergh Museum, where it is currently housed, the painting can be attributed to the Master of the Eleven Thousand Virgins, a hypothesis that we find plausible. This artist was active in the province of Segovia (Rodríguez, 1962) during the last quarter of the 15th century and the early 16th century, the period to which the work is dated. He produced several works for the Church of San Martín in Segovia, such asThe Imposition of the Chasuble on Saint Ildefonso (Prado National Museum, Madrid). One of his distinctive features lies in the expression of his figures, specifically in their eyes, a quality evident in this panel (Post, 1933).

These elements are what have allowed the work to be attributed to the Master of the Eleven Thousand Virgins and located in Segovia. However, we do not know when it left the province or how it came to be in the hands of Fritz Mayer van den Bergh. In any case, it is currently part of the collection of the museum founded by his mother, Henriette, in his honor (Müller, 2021).

Description

The painting depicts the Virgin and Child. Mary is dressed in a rich skirt of gold brocade and a blue cloak. She bows her head and holds the Child, who is playing with a rosary made of coral beads from which hang a pearl and a cross. The work bears similarities to the Master of Segovia and Fernando Gallego, although in this case the treatment of the eyes—characteristic of the master—is particularly striking.  

* The relative location of dealers, antique shops, art galleries, and collectors leads us to the places where they were based or had one of their main headquarters. However, this does not always indicate that every artwork that passed through their hands was physically located there. In the case of antique dealers and art merchants, their business often extended across multiple territories; sometimes they would purchase items at their origin and send them directly to clients. Similarly, some collectors owned multiple residences, sometimes in different countries, where they housed their collections. It is often difficult to determine exactly where a specific piece was kept during its time in their possession. Consequently, the main location of the dealer or collector is indicated. These factors should be considered when interpreting the map. Refer to the object's history in each case.
Bibliography
Citation:

Isabel Escalera Fernández, "Virgin and Child" in Nostra et Mundi. Cultural Heritage from Castile and Leon around the world, Fundación Castilla y León, 2025. https://inventario.nostraetmundi.com/en/work/537