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Title

Crowning of Thorns

Flandes, Juan de (Posible procedencia de los Países Bajos, ca. 1465 - Palencia, ca. 1519)

Generic classification
Painting
Object
Painting
Date
ca. 1500
Century
Late 15th c. / Early 16th c.
Cultural context / style
Flemish painting
Dimensions
8 1/2 x 6 3/8 inches
Material
Panel
Technique
Oil Painting
Iconography / Theme
Coronación de espinas, Cristo
Provenance
Isabella I of Castile (Segovia, Spain)
Current location
Detroit Institute of Art (Detroit, United States)
Inventory Number in Current Collection
Detroit Institue of Arts, 30.345
Object history

Listed as 'The Crowning with Thorns' in the 1505 estate sale of Isabella the Catholic’s possessions in Toro, it did not find a buyer at that time. Acquired along with thirty-one other panels from the collection by Philip the Handsome during the Toro estate sale, he arranged for it to be sent to his sister, Margaret of Austria, in Mechelen. It was put up for sale in Berlin in 1929 and acquired by J. Goudstikker, who donated it to the Detroit Institute of Arts in 1930.

Description

This painting is part of the Polyptych of Isabella the Catholic, which was composed of forty-seven small-format panels. It represents the Coronation of Thorns: after the prayer in the garden, Jesus is seized and a purple cloak, a reed and a crown of thorns are placed on him in order to humiliate him and cause him pain. The Flemish training of Juan de Flandes is evident in the detail of the landscape and clothing.

Locations
* The relative location of dealers, antique shops, art galleries, and collectors leads us to the places where they were based or had one of their main headquarters. However, this does not always indicate that every artwork that passed through their hands was physically located there. In the case of antique dealers and art merchants, their business often extended across multiple territories; sometimes they would purchase items at their origin and send them directly to clients. Similarly, some collectors owned multiple residences, sometimes in different countries, where they housed their collections. It is often difficult to determine exactly where a specific piece was kept during its time in their possession. Consequently, the main location of the dealer or collector is indicated. These factors should be considered when interpreting the map. Refer to the object's history in each case.
Record manager
Miguel Ángel Zalama
Citation:

Miguel Ángel Zalama, "Crowning of Thorns" in Nostra et Mundi. Cultural Heritage from Castile and Leon around the world, Fundación Castilla y León, 2025. https://inventario.nostraetmundi.com/en/work/19

Crowning of Thorns

Detroit Institute of Arts, Michigan. Public Domain

Detroit Institute of Arts, Michigan. Public Domain

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