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Title

Vargueño

Generic classification
Furniture
Date
ca. 1600-1625
Century
First quarter of the 17th c.
Cultural context / style
Baroque
Dimensions
56 3/4 x 42 1/2 x 19 in
Material
Walnut, Wood, Ivory
Technique
Cradling, Gilded, Inlay
Iconography / Theme
Motivos geométricos
Provenance
Possible origin in the province of Valladolid (Valladolid, Spain)
Current location
Philadelphia Museum of Art (Filadelfia, United States)
Inventory Number in Current Collection
1946-6-1a,b
Object history

According to the Philadelphia Museum of Art this bargueño was probably made in Valladolid. It is one of the most characteristic pieces of 16th-17th century Spanish furniture (Aguiló, 1993). In this case, since it has a hinged lid and small scribes, it is possible that it also served as a writing desk. Both the lid and the side handles were used to carry the piece of furniture, something very common at this time. Likewise, the lid fulfilled a double function: it protected the contents and was used to deposit what was inside the drawers of the bargueño (Aguiló, 2018).

Furniture collecting became very popular in the late nineteenth and early twentieth centuries. There were many who wished to decorate their residences with antique sumptuary objects (Burr, 1964). In this sense, the bargueño was one of the most sought-after pieces of furniture. Thus, it is probable that this piece left the country at the beginning of the 20th century. It was acquired in the second quarter of the 20th century by Mrs. F. W. Farr, who donated it to the Philadelphia Museum of Art in memory of Anna Barbee Hinchman in 1946.

Description

This bargueño is made up of two bodies, which have two handles on the sides. The upper body has thirteen compartments divided into four horizontal registers, the lower one being the largest. With respect to its decoration, the compartments have elements of architectural inspiration, such as columns, pilasters, friezes, etc. The ornamentation is completed by the painted and gilded bone inlaid in the small drawers. As for the lower body, it consists of a taquillón, a typology widely used in the early seventeenth century (Aguiló, 1993). It has four compartments divided into two horizontal registers of equal size, decorated with diamond-shaped strips that frame the keyholes.

* The relative location of dealers, antique shops, art galleries, and collectors leads us to the places where they were based or had one of their main headquarters. However, this does not always indicate that every artwork that passed through their hands was physically located there. In the case of antique dealers and art merchants, their business often extended across multiple territories; sometimes they would purchase items at their origin and send them directly to clients. Similarly, some collectors owned multiple residences, sometimes in different countries, where they housed their collections. It is often difficult to determine exactly where a specific piece was kept during its time in their possession. Consequently, the main location of the dealer or collector is indicated. These factors should be considered when interpreting the map. Refer to the object's history in each case.
Bibliography
  • AGUILÓ ALONSO, María Paz (1993): El mueble en España, siglos XVI-XVII, Antiqvaria, Madrid.
  • AGUILÓ ALONSO, María Paz (2018): Escritorios y bargueños españoles, Centro de Publicaciones, Madrid.
  • BURR, Grace Hardendorff (1964): Hispanic Furniture, New York.
Citation:

Isabel Escalera Fernández, "Vargueño" in Nostra et Mundi. Cultural Heritage from Castile and Leon around the world, Fundación Castilla y León, 2025. https://inventario.nostraetmundi.com/en/work/373