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Title

Apostle

sculptor

Siloé, Gil de [workshop of] (Burgos. Active 1480-1500)

Generic classification
Sculpture
Object
Sculpture
Date
1476-1500
Century
Late 15th c.
Cultural context / style
Late Middle Ages. Gothic
Dimensions
26 9/16 x 9 1/2 x 6 5/16 in.
Material
Alabaster
Technique
Sculpted
Iconography / Theme
Apóstol
Provenance
Nuestra Señora del Fresdelval Monastery, Burgos (Fresdelval, Burgos, Spain)
Current location
The Metropolitan Museum of Art (New York, United States)
Inventory Number in Current Collection
16.32.154
Object history

According to Gómez Bárcena's studies, and to the information gathered by The Metropolitan Museum of Art, this sculpture "came from the tomb of Juan de Padilla, near Burgos", passed thorough Georges Hoentschel (French interior designer) before finding its way to the collection of J. Pierpont Morgan (London and New York) and from there to its present location. The tomb of Juan de Padilla was in the monastery of Fresdelval (Burgos) is the work of the school/workshop of Gil de Siloe. The Prado Museum's print of the tomb, based on a drawing by Francisco Aznar García from around 1864. A photograph of this funerary complex is also preserved in the Royal Academy of Fine Arts of San Fernando. The monastery had suffered considerable deteriotation since the beginning of the 19th century, firt due to the French occupation and the War of Independence, when the monastery was sacked , and the due to the disentailment policies and their consequences, which only increased its ruin. The funerary complex of Juan de Padilla is now preserved in the Museum of Burgos. 

* The relative location of dealers, antique shops, art galleries, and collectors leads us to the places where they were based or had one of their main headquarters. However, this does not always indicate that every artwork that passed through their hands was physically located there. In the case of antique dealers and art merchants, their business often extended across multiple territories; sometimes they would purchase items at their origin and send them directly to clients. Similarly, some collectors owned multiple residences, sometimes in different countries, where they housed their collections. It is often difficult to determine exactly where a specific piece was kept during its time in their possession. Consequently, the main location of the dealer or collector is indicated. These factors should be considered when interpreting the map. Refer to the object's history in each case.
Bibliography
  • GÓMEZ BÁRCENA, María Jesús (1988): Escultura gótica funeraria en Burgos, Excma. Diputación Provincial, Burgos, p. 162.
  • GÓMEZ BÁRCENA, María Jesús (1990): "Un Santo Tomás de Gil de Siloé", vol. 63, nº 249, en Archivo Español de Arte, pp. 94-96, il. 11.
  • WETHEY, Harold E. (1936): Gil de Siloe and His School: A Study of Late Gothic Sculpture in Burgos, Harvard University Press, Cambridge, MA, pp. 66-67, il. 44.
Citation:

María José Martínez Ruiz, "Apostle" in Nostra et Mundi. Cultural Heritage from Castile and Leon around the world, Fundación Castilla y León, 2025. https://inventario.nostraetmundi.com/en/work/81

Apostle, from the tomb of Juan de Padilla. Monastery of Fresdelval (Burgos)

The Metropolitan Museum of Art, New York. Public Domain.

The Metropolitan Museum of Art, New York. Public Domain.

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Sepulchre of Don Juan de Padilla. Photo: 1865. Archive /Library of the Real Academia de Bellas Artes de San Fernando, Madrid.

Real Academia de Bellas Artes de San Fernando


Apostle from the tomb of Juan de Padilla, detail. Monastery of Fresdelval (Burgos)

The Metropolitan Museum of Art. Public Domain


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