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Title

Scenes from the Life of Saint Andrew

Generic classification
Painting
Century
Last quarter of the 14th c.
Cultural context / style
Castile. Linear Gothic
Dimensions
78 1/4 in. x 39 3/4 in. x 2 1/8 in. x 15/16 in.
Material
Wood
Technique
Tempera
Provenance
Church of San Andrés (Añastro, Burgos, Spain)
Current location
The Metropolitan Museum of Art (New York, United States)
Inventory Number in Current Collection
35.120.257
Inscriptions / Marks

DIO LA SACA OS LA COSTI EL ADAM DORMI; CRIO DIO AEBA DE LA COSTI EL [ADAM]; INSENSA EL ANGEL / SANT ANDRES APOSTOL / INSENSA EL ANGEL; . . . AIS DAMIGO; ANOTRO FERANDES DE ANASTRO; MARTIN PERIS DE ANASTROELRA; OSE POR SANT ANDRES ROG; SANT ANDRES ANDA PESCANDO LLAMA . . . CRISTO; SANT ANDRES PEDRICA A LAS GENTES PAGANAS BATISA SANT ANDRES; ADORA EL RE EL IDOLO SANT ANDRES. 

* The relative location of dealers, antique shops, art galleries, and collectors leads us to the places where they were based or had one of their main headquarters. However, this does not always indicate that every artwork that passed through their hands was physically located there. In the case of antique dealers and art merchants, their business often extended across multiple territories; sometimes they would purchase items at their origin and send them directly to clients. Similarly, some collectors owned multiple residences, sometimes in different countries, where they housed their collections. It is often difficult to determine exactly where a specific piece was kept during its time in their possession. Consequently, the main location of the dealer or collector is indicated. These factors should be considered when interpreting the map. Refer to the object's history in each case.
Bibliography
  • COOK, Walter y GUDIOL, José (1950): Pintura e imaginería románicas. Ars Hispaniae VI, Plus Ultra, Madrid, p. 261.
  • EGUÍA LÓPEZ, José y PORTILLA, Micaela Josefa (1968): Catálogo Monumental de la Diócesis de Vitoria. Arciprestazgos de Treviño, Albaina y Campazo, vol. 2, Caja de Ahorros Municipal de Vitoria, Vitoria, pp. 53-54.
  • GAYA NUÑO, Juan Antonio (1958): La pintura española fuera de España (historia y catálogo), Espasa-Calpe, Madrid.
  • GUTIÉRREZ BAÑOS, Fernando (2005): Aportación al estudio de la pintura de estilo gótico lineal en Castilla y León: precisiones cronológicas y "corpus" de pintura mural y sobre tabla, Fundación Universitaria Española, Madrid.
  • POST, Chandler Rathfon (1930): A History of Spanish Painting, vol. 2, Harvard University Press, Cambridge (Massachusetts), pp. 133-136, 467, il. 127.
  • SÁENZ PASCUAL, Raquel (1996): "Un ejemplo de gótico lineal tardío: El retablo de San Andrés de Añastro", nº 15, en Revisión del Arte Medieval en Euskal Herria. Cuadernos de Sección. Artes Plásticas y Monumentales, pp. 471-481.
  • SÁENZ PASCUAL, Raquel (1997): La pintura gótica en Álava: Una contribución a su estudio, Diputación Foral de Álava, Vitoria-Gasteiz, pp. 137-179, il. 14-18.
  • SÁENZ PASCUAL, Raquel (1999): "El ciclo del génesis en el retablo de San Andrés de Añastro", vol. 2, en La Biblia en el Arte y en la Literatura. V Simposio Bíblico Español, Fundación Bíblica Española, Valencia, pp. 369-83.
Citation:

María José Martínez Ruiz, "Scenes from the Life of Saint Andrew" in Nostra et Mundi. Cultural Heritage from Castile and Leon around the world, Fundación Castilla y León, 2025. https://inventario.nostraetmundi.com/en/work/259