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Title

The Adoration of the Magi

painter

Berruguete, Pedro (Paredes de Nava, ca. 1445 - Madrid, ca. 1503)

Generic classification
Painting
Object
Painting
Date
1485-1489
Century
Last quarter of the 15th c.
Cultural context / style
Gothic and Renaissance elements
Material
Panel
Technique
Oil Painting
Provenance
Possible origin from Castile and Leon (Castilla y León, Possible origin from Castile and Leon, Spain)
Current location
National Museum of San Carlos (Ciudad de México, Mexico)
Object history

The provenance of this work is unknown, although it is most likely that it was from the Castilian area. Post (1934) and Silva Maroto (1998) maintain that the painting was in the collection of the antique dealer Juan Lafora Calatayud (Madrid). This businessman had a relationship with the antique dealer and art dealer Jacques Seligman, to whom he sold some pieces in the early twentieth century and perhaps this was one of them. Alberto José Pani, known for his role in Mexican politics, was also an avid art collector. Between 1919-1920 he formed his first collection thanks to a diplomatic visit he had to make to Paris, where he was able to visit auction houses and antique stores. Years later, between 1927 and 1929, he formed his second collection (Fernández, 1940; Ortega Ramírez, 2020). In 1933, when he traveled to London while he was Secretary of Finance and Public Credit, Pani acquired eight panels from Spain on behalf of the government, including one by Berruguete. A year later, in 1934, the San Carlos Museum in Mexico received a donation from the Ministry of Finance and Public Credit, at which time the panel became part of the museum's collection (Guerrero Mondoño and Cortés Guzmán, 2004).

Description

The scene, drawn from the Gospel of Saint Matthew, depicts the Adoration of the Magi. Melchior, Caspar, and Balthazar visit the newborn Christ Child, who is held in the arms of the Virgin. They bring rich gifts: gold, frankincense, and myrrh. The composition is reminiscent of the canvases Pedro Berruguete likely created for the Church of Santo Tomás, which are now housed in the Museo Nacional del Prado (Madrid).

Locations
* The relative location of dealers, antique shops, art galleries, and collectors leads us to the places where they were based or had one of their main headquarters. However, this does not always indicate that every artwork that passed through their hands was physically located there. In the case of antique dealers and art merchants, their business often extended across multiple territories; sometimes they would purchase items at their origin and send them directly to clients. Similarly, some collectors owned multiple residences, sometimes in different countries, where they housed their collections. It is often difficult to determine exactly where a specific piece was kept during its time in their possession. Consequently, the main location of the dealer or collector is indicated. These factors should be considered when interpreting the map. Refer to the object's history in each case.
Bibliography
Citation:

Isabel Escalera Fernández, "The Adoration of the Magi" in Nostra et Mundi. Cultural Heritage from Castile and Leon around the world, Fundación Castilla y León, 2025. https://inventario.nostraetmundi.com/en/work/27