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Title

Panel from a tabernacle-altarpiece dedicated to an unkonwn saint

Generic classification
Painting
Century
Mid 14th c.
Cultural context / style
Linear Gothic
Dimensions
42.13 x 6.81 in.
Material
Panel
Technique
Tempera
Iconography / Theme
San Juan Evangelista, San Pablo
Current location
Muzeum Narodowe w Warszawie (Varsovia, Poland)
Inventory Number in Current Collection
Śr. 219
Inscriptions / Marks

Above the upper register (apex): '[A]NGELUS' (Angel).

Above the inermediate register: 'IOANIS' (John).

Above the lower register: 'GENTIL' (Heathen).

Object history

This panel entered the Muzeum Narodowe w Warszawie in 1946, shortly after the end of World War II, together with a series of works coming from the region of Silesia, among which there were three panels from a second Castilian tabernacle-altarpiece. It can be assumed that its presence in this region, which, after the war, was incorporated into Poland, was due to the movement of works of art caused by the conflict, but the truth is that there is no precise information about when or how it arrived there. Nothing is known about its previous history. Since it was part of the same lot as the three previously mentioned panels, recorded as having been acquired on the Parisian antiquarian market by the Hanover-based German architect and scholar Albrecht Haupt (1852-1932), the same provenance can be assumed for this panel. For this reason, in studies on Castilian tabernacle-altarpieces, the ensemble to which this panel belonged is designated as Haupt II altarpiece. Although there is no information about the ultimate origin of this panel, its stylistic features, especially its relationship with the three previously mentioned panels, suggest that it was created in Burgos or in its immediate area of influence in the middle of the 14th century.

Description

This panel was the left panel of the left wing of a tabernacle-altarpiece. When, as in this case, only one panel from an altarpiece of these characteristics is preserved, it is very difficult to understand its iconographic development. In fact, we cannot even know to which saint it was dedicated. From top to bottom, an angel, St John the Evangelist and a soldier brandishing a sword are represented. St. John the Evangelist and the soldier were part of larger compositions that would continue on the missing right panel of the left wing. The reverse of the panel shows the figure of St Paul, which would be visible when the altarpiece was closed.

* The relative location of dealers, antique shops, art galleries, and collectors leads us to the places where they were based or had one of their main headquarters. However, this does not always indicate that every artwork that passed through their hands was physically located there. In the case of antique dealers and art merchants, their business often extended across multiple territories; sometimes they would purchase items at their origin and send them directly to clients. Similarly, some collectors owned multiple residences, sometimes in different countries, where they housed their collections. It is often difficult to determine exactly where a specific piece was kept during its time in their possession. Consequently, the main location of the dealer or collector is indicated. These factors should be considered when interpreting the map. Refer to the object's history in each case.
Citation:

Fernando Gutiérrez Baños, "Panel from a tabernacle-altarpiece dedicated to an unkonwn saint" in Nostra et Mundi. Cultural Heritage from Castile and Leon around the world, Fundación Castilla y León, 2025. https://inventario.nostraetmundi.com/en/work/424

DOI