Search results for
X
No results :(

Hints for your search:

Title

Invention of the Cross

painter

Ávila, Lorenzo de (Ávila, ca. 1492 - Toro, ca. 1570)

Generic classification
Painting
Object
Painting
Date
ca. 1540
Century
Second quarter of the 16th c.
Cultural context / style
Renaissance
Material
Panel
Technique
Oil Painting
Iconography / Theme
Invención de la Cruz
Provenance
Zamora (Zamora, Spain)
Current location
Musées royaux des Beaux-Arts, Belgium (Brussels, Belgium)
Inventory Number in Current Collection
8745
Object history

The museum attributed these panels to the "Southern Netherlands School"; however, Fiz Fuertes (2023) argues that their author is Lorenzo de Ávila. Consequently, the panel would originate from the present-day province of Zamora. Although the details of the painting and the landscape suggest a Flemish work, Fiz Fuertes (2003) has demonstrated that these are also techniques used by workshops in Toro (Zamora). Its original location is unknown, but in the early 20th century, the panel left Spain and ended up in the private collection of Delporte-Livrauw and Dr. Franz Delporte. In 1973, they bequeathed this painting, along with others, to the Musées royaux des Beaux-Arts de Belgique, where it is currently housed.

Description

The scene depicts the Discovery of the True Cross. This painting was created during the mature period of Lorenzo de Ávila, a phase in which he stylised his figures, introduced more vibrant colours into his compositions, and gave greater prominence to the landscape. He also included numerous secondary characters in the background, a technique he would expand upon in the second half of the 1540s (Fiz Fuertes, 2003; 2023). This panel was likely part of the same altarpiece as another painting by Lorenzo de Ávila housed in the museum, The Adoration of the Magi.

Locations
* The relative location of dealers, antique shops, art galleries, and collectors leads us to the places where they were based or had one of their main headquarters. However, this does not always indicate that every artwork that passed through their hands was physically located there. In the case of antique dealers and art merchants, their business often extended across multiple territories; sometimes they would purchase items at their origin and send them directly to clients. Similarly, some collectors owned multiple residences, sometimes in different countries, where they housed their collections. It is often difficult to determine exactly where a specific piece was kept during its time in their possession. Consequently, the main location of the dealer or collector is indicated. These factors should be considered when interpreting the map. Refer to the object's history in each case.
Bibliography
  • FIZ FUERTES, Irune (2023): Pintura y pintores en Zamora (1525-1580). Un estudio del caso sobre la asimilación del Renacimiento en el noroeste castellano-leonés y su irradiación, Universidad de Valladolid, Valladolid.
  • FIZ FUERTES, Irune (2003): Lorenzo de Ávila, Juan de Borgoña II y su escuela. La recepción del Renacimiento en Tierras de Zamora y León, Publicaciones del Centro de Estudios Benaventanos Ledo del Pozo, Benavente.
Citation:

Isabel Escalera Fernández, "Invention of the Cross" in Nostra et Mundi. Cultural Heritage from Castile and Leon around the world, Fundación Castilla y León, 2025. https://inventario.nostraetmundi.com/en/work/64