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Title

Pyx

Generic classification
Goldsmithing
Object
Pixel
Date
ca. 1540-1550
Century
Mid 16th c.
Cultural context / style
Renaissance
Dimensions
9 x 5 in
Material
Silver
Technique
Embossed
Provenance
Pedro Manuel del Belmonte Bishop (León, Spain)
Current location
Saint Louis Art Museum (Misuri, United States)
Inventory Number in Current Collection
35:1921a,b
Object history

This pyx belonged to Pedro Manuel de Belmonte, as evidenced by his family coat of arms adorning one of its sides. He was the son of Juan Manuel de Villena y de la Vega and served first as the Bishop of León, and later of Zamora and Santiago de Compostela. It is unknown whether he took the piece with him when he left the city or if it remained in León. The richness of the piece suggests it may have been stolen or directly sold in the early 20th century, a period during which a large number of artistic objects left the country to enrich the collections of wealthy magnates and museums expanding their collections, primarily in the United States (Merino de Cáceres and Martínez Ruiz, 2012). In any case, the pyx was acquired by the Saint Louis Art Museum in 1921, where it remains today.

Description

The pyx had a liturgical purpose, as it served as the vessel to store the Blessed Sacrament. It is decorated with intricate vegetal motifs and the coat of arms of Pedro Manuel de Belmonte’s family. The meticulous decoration of the chalice is particularly noteworthy, depicting Christ crucified.

Locations
* The relative location of dealers, antique shops, art galleries, and collectors leads us to the places where they were based or had one of their main headquarters. However, this does not always indicate that every artwork that passed through their hands was physically located there. In the case of antique dealers and art merchants, their business often extended across multiple territories; sometimes they would purchase items at their origin and send them directly to clients. Similarly, some collectors owned multiple residences, sometimes in different countries, where they housed their collections. It is often difficult to determine exactly where a specific piece was kept during its time in their possession. Consequently, the main location of the dealer or collector is indicated. These factors should be considered when interpreting the map. Refer to the object's history in each case.
Citation:

Isabel Escalera Fernández, "Pyx" in Nostra et Mundi. Cultural Heritage from Castile and Leon around the world, Fundación Castilla y León, 2025. https://inventario.nostraetmundi.com/en/work/156