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Title

Corbel

Object
Bracket
Date
ca. 1200
Century
12th c.
Cultural context / style
Romanesque
Dimensions
9 11/16 x 10 13/16 in
Material
Stone
Technique
Sculpted
Iconography / Theme
Animales, Motivos animales
Provenance
Possible origin from Castile and Leon (Castilla y León, Possible origin from Castile and Leon, Spain)
Current location
Philadelphia Museum of Art (Filadelfia, United States)
Inventory Number in Current Collection
1946-33-2
Object history

It is difficult to pinpoint the origin of a piece like this. The Philadelphia Museum is inclined to think that it comes from the Burgos area. It would not be strange, since in the province there are examples of similar capitals in the Church of San Julián and Santa Basilisa, in Rebolledo de la Torre (Burgos) or in the Monastery of Santo Domingo de Silos (Burgos). The bracket represents two birds pecking at something, perhaps fruit or stems, but we cannot say for sure. If we pay attention to the theme, it is reminiscent of the church of San Juan Bautista in Orejana (Segovia) or San Miguel in Fuentidueña (Segovia). This corbel became part of the Philadelphia Museum along with two others. All of them seem to come from the same architectural ensemble, therefore, it was somewhere in the current Castilla y León. However, we do not have more data that allow us to know its origin.

In the first quarter of the 20th century the piece left the country for the United States. It was acquired by siblings Bernice McIlhenny Wintersteen and Henry P. Maclhenny, who had a close relationship with the Philadelphia Museum of Art. Both decided to donate this corbel in 1946 to the museum in honor of their parents, John D. MClhenny and Frances Galbraith Plumer, benefactors of the institution.

Description

Animals have been present in the medieval world since the earliest times. The use of beasts as a decorative element in architecture responded to multiple factors; it could be symbolic or strictly decorative (Morales, 1996). Birds, together with mammals, have been the most represented animals. They generally appeared facing each other, opposing each other, with their necks crossed, attacking other animals or pecking fruits and branches, as in this case.

* The relative location of dealers, antique shops, art galleries, and collectors leads us to the places where they were based or had one of their main headquarters. However, this does not always indicate that every artwork that passed through their hands was physically located there. In the case of antique dealers and art merchants, their business often extended across multiple territories; sometimes they would purchase items at their origin and send them directly to clients. Similarly, some collectors owned multiple residences, sometimes in different countries, where they housed their collections. It is often difficult to determine exactly where a specific piece was kept during its time in their possession. Consequently, the main location of the dealer or collector is indicated. These factors should be considered when interpreting the map. Refer to the object's history in each case.
Citation:

Isabel Escalera Fernández, "Corbel" in Nostra et Mundi. Cultural Heritage from Castile and Leon around the world, Fundación Castilla y León, 2025. https://inventario.nostraetmundi.com/en/work/365