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Title

Cassiodorus Super Psalmos

Endura (Active at the Monastery of San Pedro de Cardeña, Burgos)

Sebastián (Active at the Monastery of San Pedro de Cardeña, Burgos)

Generic classification
Manuscripts and illuminations
Date
ca. 949
Century
Mid 10th c.
Cultural context / style
Visigothic
Dimensions
18,3 x 13,5 in
Material
Parchment, Ink
Iconography / Theme
Salmos
Provenance
San Pedro de Cardeña Monastery (Castrillo del Val, Burgos, Spain)
Current location
John Rylands Library (Mánchester, United Kingdom)
Inventory Number in Current Collection
Latin MS 89
Object history

The manuscript known as Cassiodorus Super Psalmos was compiled by the scribes Sebastián and Endura. This is stated by Berganza (1719) in Antigüedades de España (Antiquities of Spain ) when he notes that "During the time of Abbot Don Estevan Primero Endura Presbytero, and Sebastián Diacono wrote the exposition that Cassiodorus made of the Psalms." Berganza mentions that the volume was located in the Monastery of San Pedro de Cardeña (Burgos), a provenance that has been confirmed by researchers such as Tyson (1932) and Shailor (1979).

The codex contains a colophon that refers to the year in which it was completed: "Explicitus est Liber iste à Notario Sebastiano Diacono notum praefixionis diem, quartodecirno Kalendas Februarii, Era DCCCC LXXX VII. Regnante Serenissimo Rege Ramiro in Legione, et egregio Comite Fredinando Gundisalvi in Castella, atque Pontificaturn gerente Basilio Episcopo Sedis Munnioni Castelli." Thus, the manuscript is considered to have been produced in the mid-10th century.

Although its origin has not been disputed, it is difficult to know how and when it left the monastery. In the 18th century, Berganza (1719) still placed the volume inCardeña, so it is likely that it disappeared after the confiscation around 1835. James (1921) indicates that it became part of Guglielmo Libri's personal collection and was later sold in 1864 along with a large part of the items in his collection at Sotheby's: "Formerly in the possession of Libri: sold in 1864 at Sotheby's." However, the manuscript does not appear in the auction catalog, so we cannot corroborate this. 

Thomas Bateman, archaeologist and collector, acquired the volume in the mid-19th century. Following his sudden death in 1861, his collection was inherited by his son, Thomas William Bateman. He did not share his father's interest in art and, after experiencing financial difficulties, decided to auction the collection at Sotheby's in 1893. The manuscript, listed as lot 553, was purchased by James Ludovic Lindsay for a total of £200 (Shailor, 1979). In 1901, the Earl of Crawford put his personal library up for sale for £155,000 (West, 2000; Gow, 2023). Enriqueta Rylands, who wanted to open a public library in memory of her husband, acquired the nobleman's collection (Farnie, 1898). She later bequeathed the manuscript to the John Rylands Library (Manchester) in 1908, where it remains today.

Description

This manuscript consists of 396 folios, each with two columns written by the copyists Endura and Sebastián. The codex contains the workSuper Psalmos, written by Cassiodorus, who based it on Enarrationes in Psalmos by Saint Augustine of Hippo. The representations that appear in the volume—zoomorphic figures, plant elements, and geometric drawings—do not correspond to its content (Sancho, 2025).

* The relative location of dealers, antique shops, art galleries, and collectors leads us to the places where they were based or had one of their main headquarters. However, this does not always indicate that every artwork that passed through their hands was physically located there. In the case of antique dealers and art merchants, their business often extended across multiple territories; sometimes they would purchase items at their origin and send them directly to clients. Similarly, some collectors owned multiple residences, sometimes in different countries, where they housed their collections. It is often difficult to determine exactly where a specific piece was kept during its time in their possession. Consequently, the main location of the dealer or collector is indicated. These factors should be considered when interpreting the map. Refer to the object's history in each case.
Bibliography
Citation:

Isabel Escalera Fernández, "Cassiodorus Super Psalmos" in Nostra et Mundi. Cultural Heritage from Castile and Leon around the world, Fundación Castilla y León, 2025. https://inventario.nostraetmundi.com/en/work/493

DOI