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Title

Tabernacle

Generic classification
Sculpture
Date
ca. 1525-1550
Century
Second quarter of the 16th c.
Cultural context / style
Renaissance
Material
Wood
Technique
Gilded, Polychrome
Iconography / Theme
Resurrección de Cristo
Provenance
Possible origin from Castile and Leon (Castilla y León, Possible origin from Castile and Leon, Spain)
Current location
National Museum of Scotland (Edimburgo, United Kingdom)
Inventory Number in Current Collection
A.1983.424
Object history

Although the original location of the tabernacle remains unknown, both its typology and polychromy suggest a possible origin in Castilla y León, specifically in the Tierra de Campos region. This area includes parts of the current provinces of León, Zamora, Palencia, and Valladolid. The tabernacle resembles certain works by Juan de Anchieta, a sculptor documented as working in the Basque Country, Valladolid, León, Burgos, and Navarra (García Gainza, 2008). Recently, the Hôtel Drouot auction house included a similar tabernacle in Lot 160, possibly also originating from Tierra de Campos. Nevertheless, this hypothesis remains tentative, pending further information.

In the 1920s, the tabernacle left Spain bound for the United States. Addison Mizner, an American architect and designer, acquired the piece in Spain intending to sell it to Alfred Elliot Dieterich, for whom he was constructing a Spanish-style residence in Montecito, known as Casa Bienvenida. Subsequently, the piece came into the possession of the dealers Loewi-Robertson Inc., who sold it to the National Museum of Scotland in 1983, where it remains to this day.

Information provided by Felix Zorzo.

Description

This is a fragment of a tabernacle. The wood has been polychromed and gilded to give the piece greater richness. On the sides of the tabernacle are the figures of the Evangelists, while in the centre is the risen Christ above the sepulchre and next to the sleeping Roman soldiers.

Locations
* The relative location of dealers, antique shops, art galleries, and collectors leads us to the places where they were based or had one of their main headquarters. However, this does not always indicate that every artwork that passed through their hands was physically located there. In the case of antique dealers and art merchants, their business often extended across multiple territories; sometimes they would purchase items at their origin and send them directly to clients. Similarly, some collectors owned multiple residences, sometimes in different countries, where they housed their collections. It is often difficult to determine exactly where a specific piece was kept during its time in their possession. Consequently, the main location of the dealer or collector is indicated. These factors should be considered when interpreting the map. Refer to the object's history in each case.
Bibliography
  • GARCÍA GAINZA, María Concepción (2008): Juan de Anchieta: escultor del Renacimiento, Fundación de Apoyo a la Historia del Arte Hispánico, Madrid.
Citation:

Isabel Escalera Fernández, "Tabernacle" in Nostra et Mundi. Cultural Heritage from Castile and Leon around the world, Fundación Castilla y León, 2025. https://inventario.nostraetmundi.com/en/work/66